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Musical
0001 - Children of Eden (1991)
Musique: Stephen Schwartz
Paroles: Stephen Schwartz
Livret: John Caird
Production originale:
4 versions mentionnées
Dispo: Résumé  Synopsis  Génèse  Liste chansons  

Genèse: Children of Eden was originally written in 1986 as Family Tree for a production by Youth Sing Praise, a religious-oriented high school theatre camp at the National Shrine of Our Lady of the Snows in Belleville, Illinois. Stephen Schwartz adapted the script and music of Family Tree into a full-length musical, giving it the title it uses today. The original cast production of Children of Eden was developed as a Royal Shakespeare Company (RSC) workshop, directed by John Caird, and starring Ken Page as Father, Richard Lloyd-King as Snake, Martin Smith as Adam, Shezwae Powell as Eve, Adrian Beaumont as Cain, Kevin Colson as Noah, Earlene Bentley as Mama Noah, Frances Ruffelle as Yonah, Anthony Barclay as Japeth, Craig Pinder as Shem, Ray Shell as Ham, Hiromi Itoh as Aysha and Ruthie Henshall as Aphra. After the RSC's budget was cut, it opened at the Prince Edward Theatre in London's West End on January 8, 1991. The show closed on April 6, 1991 to poor reviews and after the Persian Gulf War put a damper on tourism worldwide. The show's poor reviews and quick closing meant that any hope of a Broadway transfer was abandoned. The original London cast album was released on LP and CD, but quickly went out of print. The CD release was marred by manufacturing defects that caused most of the discs to "bronze", becoming unplayable. Consequently, a playable copy of the disc is highly prized by musical theatre collectors. Schwartz believes the show has not played on Broadway because of the expense required to produce it in an Actor's Equity house, due to the cast of characters. There is an extremely rare concept recording of the show that exists. The recording features Stephen Schwartz himself playing the piano. The recording was made before the Papermill Playhouse production in an effort to review the rewrites and revisions. The recording was made available only for a limited time on Stephen Schwartz's website via RealAudio streaming. The recording is considered to be the rarest version of the show that exists. Only a handful of people possess CD or digital copies of it, including Stephen Schwartz himself and Michael Kohl. Throughout the 1990s, the show received numerous productions at both the amateur and professional levels; it was also reworked and edited, with songs and scenes being added and cut. In 1997, a major production was mounted at the Paper Mill Playhouse in Millburn, New Jersey, featuring Stephanie Mills. A cast recording of this production was produced by Schwartz himself. This revised version, commonly known as the "American version" or "Paper Mill version", is substantially what is currently licensed for production in the United States. The New York City premiere of the piece was as the inaugural World AIDS Day Concert presented by Jamie McGonnigal and Kate Shindle. The concert featured Julia Murney, Norm Lewis, Darius de Haas, and Jai Rodriguez and raised funds for The National AIDS Fund. The show's publisher, Music Theater International, reports that Children of Eden is one of its top 20 most frequently licensed properties, which is very unusual for a show that has never had a Broadway or Off-Broadway run. Its popularity is partly due to its ability to accommodate a large or small cast; its universal themes of family, love, greed, anger, and others; and its religious material, which make it a favorite for churches, synagogues, and post-secondary schools. The most recent production of Children of Eden was played at NIDA (St. Andrews), Sydney, Australia, on the second and third weekends of March, 2011. A world premiere of the symphonic version will run in Kansas City from July 15 to 24, 2011, accompanied by a 55-piece orchestra.

Résumé: Freely based on the story of Genesis, CHILDREN OF EDEN is a frank, heartfelt and often humorous examination of the age-old conflict between parents and children. Adam, Eve, Noah and the "Father" who created them deal with the headstrong, cataclysmic actions of their respective children. The show ultimately delivers a bittersweet but inspiring message: that "the hardest part of love... is letting go."

Création: 8/1/1991 - Prince Edward Theatre (Londres) - représ.


Version 1

Beggar's Opera (1993-04-Barbican Hall-London)

Type de série: Revival
Théâtre: Barbican (Londres - Angleterre)
Salle : Hall
Durée :
Nombre :
Première Preview : Wednesday 07 April 1993
Première : Wednesday 07 April 1993
Dernière : Inconnu
Mise en scène : John Caird
Chorégraphie : Anthony Van Laast
Producteur :
Avec : Paul Jesson (Peachum), Susan-Jane Tanner (Mrs Peachum), Elizabeth Renihan (Polly Peachum), David Burt (Macheath), Samantha Shaw (Jenny Diver), Jenny Russell (Lucy Lockitt), Anthony O’Donnell (Lockitt)
Commentaires : This is an adaptation of John Gay’s masterpiece by John Caird and the composer Ilona Sekacz, first performed at the Royal Shakespeare Company in 1992. It opened at the Swan Theatre on 7th April and played in repertoire for the whole of the 1992 season. It then transferred to the Barbican Theatre in London, opening on the 7th April 1993.
This revival was very much in the “Les Miserables” style, and was described as “low life augmented by high camp”.

Version 2

Children of Eden (1991-01-Prince Edward Theatre-London)

Type de série: Original
Théâtre: Prince Edward Theatre (Londres - Angleterre)

Durée : 2 mois 3 semaines
Nombre :
Première Preview : Inconnu
Première : Tuesday 08 January 1991
Dernière : Saturday 06 April 1991
Mise en scène : John Caird
Chorégraphie : Matthew Bourne
Producteur :
Avec : Ken Page {God), Martin Smith (Adam), Shezwae Powell (Eve), Richard Lloyd-King (Snake), Adrian Beaumont {Cain), Kevin Colson {Noah), Ruthie Henshall, Frances Ruffelle
Commentaires : 'The opening of Children of Eden in the West End of London coincided with the start of war with Iraq and one of the worst slumps in audience attendence in recent years; as a result this spectacular musical was unable to find its audience.
Mais ce n'est pas le seul problème…
A “new biblical musical” told the story of the Old Testament from the Creation until just after the Flood. In a kind of throwback to the earlier success of Stephen Schwartz’s “Godspell”, the characters appeared in cute costumes, some of them appearing as cute, furry little animals. God and Eve were portrayed as jolly black performers, and Cain’s slaying of Abel was performed “in the humdrum context of a family spat”. The scenery was domed scaffolding, with disco and laser effects, and according to one critic: “The Garden of Eden was decorated in tatty hanging drapes and was like unto the current state of Liberty’s in its carpet and fabric sales department”. With very mixed critical reaction, the general cry was “Where is the nearest Exodus”? The show lost all its investment and closed after ten weeks.
Presse : Daily Telegraph: 'Neither a triumphant success or ghastly failure' - '...fervently uplifting ballads' - '...animals presented most imaginatively thanks largely to Richard Sharples's witty costumes and Matthew Bourne's inventive choreography. The giraffes are especially enchanting' - 'Adrian Beaumont is excellent as Cain, Earlene Bentley stops the show after the flood has subsided with 'Ain't it Good'' - 'Children of Eden is mildly and fitfully entertaining'

Guardian: '...an amiable well directed piece of biblical storytelling but one that lacks a big idea' - 'Several of his 21 songs fall pleasantly on the ear. What his score lacks is a consistency of idiom; thus we get a 30's tea dance number from the snake, a forties close harmony routine from Noah's offspring, a sixties disco swinger from Ham and Company and a periodless hot gospel number from Mama Noah' - 'Best features of the evening are, in fact, John Caird's production and John Napier's design concept'

Daily Express
'Schwartz's music was pleasant but unmemorable, though the voices were heavenly and he might have a psychedelic hit with 'Generations' - 'It has energy, superb choreography and some spectacular moments, especially when the chorus dressed up as animals' -

The Times
'Napier has indeed designed a staggering transformation, in which the stage as we know it has disappeared altogether, replaced by a huge arched space with 2 long galleries all around the stage floor' - 'There is no doubt that it is a remarkable spectacle' - 'Although it may be called to question artistically and spritually, it has all the hallmarks of a major popular success. Dreary it most certainly is not'

Herald Tribune
'There are one or two good numbers and some equally strong performances from Kevin Colson as Noah, Ken Page as a huge black God and Frances Ruffelle as the girl thrown of the ark for having the wrong parentage' - 'Not so much a plot show as a ecumenical revivalist pageant, it has a splendid set by John napier and several ingenious animal acts'

Plays and Players:
'The plot is a glutinous mixture of coyness and over simplification that makes the insulting platitudes of Miss Saigon look profound' - '...the cast don a variety of magnificent skeletal animal costumes, the beasts are truly amazing creations' - '...spectacular upbeat 'Generations' sung marvellously by Ray Shell's Ham'

Timeout:
'Schwartz's musical score though laced with attractive if derivative gospel 'Godspell' and swing numbers is let down by hugly variable lyrics' - 'Richard Sharples's ingenious animal costumes and John Napier's two tiered set are inspired' - 'I expect it will run for much the same reasons as Starlight Express' (Not a compliment then !!)

Independent on Sunday:
'As a drama its a shambles, musically a ragbag, there's no sex, no wit. It has a huge all singing, all dancing cast and some nice leading actors - Kevin Colson and Frances Ruffelle - and some visual tricks' -

Daily Mail
'However, there is spectacle in plenty and talent too with this multi racial cast' - 'A touching and effective Yonah from Frances Ruffelle who managed to flesh out the rough and ready routine love interest on the ark with sincerity -

Observer
'...and we heard and saw that Shezwae was beautiful and the best thing in the show..... And the name of Japheth was Anthony Barclay and he was the second best thing' - What's On '...I approached Children of Eden with some trepidation but, wonder of wonders I do believe I enjoyed Stephen Schwartz's latest entry into the musical stakes' - 'With Children of Eden I have to admit he has done a thoroughly professional job of adapting the first book of the Bible, apart from a few quibbles, has produced a successful musical' - 'Where there is a lightness of touch the show scores brillantly. It is not afraid to have a sense of humour and even in the sombre second half there's a joyous opening chorus entitled 'Generations' - 'The way the team created the animals for the ark scene is brillantly imaginable and totally believable. It is stunningly well staged and it is a element of surprise that is always there that makes it an attraction' - 'Whatever secret the show has for its success I have to admit it is certainly in every way better than either Cats or Les Miserables and as they are going to run for ever, Children of Eden could well be in the same league as these perennial hits'

Version 3

Daddy Long Legs (2012-11-St James Theatre-Main House-London)

Type de série: Original
Théâtre: The Other Palace (Londres - Angleterre)
Salle : Main Theatre
Durée : 1 mois
Nombre :
Première Preview : Wednesday 31 October 2012
Première : Wednesday 07 November 2012
Dernière : Saturday 08 December 2012
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Megan McGinnis (Jerusha Abbott), Robert Adelman Hancock.
Presse : ***** ‘It's so well performed and staged...it should wash over even the hardest of hearts easily’ Chris Hislop, One Stop Arts

****‘Genuinely touching’ Julie Carpenter, Daily Express

****‘Totally captivating. Not for the first time, a chamber-musical proves far more fun than many a big, blowsy spectacle.’ Michael Billington, The Guardian

‘Song by song, line by line, it's beautifully done’ Dominic Maxwell, The Times

‘The sparkling McGinnis...gives a superlative performance, one of the year's very best’ Fiona Mountford, Evening Standard

‘Hancock's... harmonious and emotive high notes revealing every painful pang of love, jealousy and frustration’ Kate Stanbury, Official London Theatre

Version 4

Daddy Long Legs (2015-09-Davenport Theatre-Off Broadway)

Type de série: Revival
Théâtre: Davenport Theatre (Broadway (Off) - Etats-Unis)
Durée : 8 mois 1 semaine
Nombre : 309 représentations
Première Preview : Thursday 10 September 2015
Première : Monday 28 September 2015
Dernière : Monday 06 June 2016
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Megan McGinnis (Jerusha), Paul Alexander Nolan (Jervis)
Commentaires : Originally intended to be a limited engagement ending on January 10, 2016. 

Version 5

Dance of Death (The) (1978-06-Aldwych Theatre-London)

Type de série:
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première : Friday 16 June 1978
Dernière : Inconnu
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Allen Sheila (Alice), Derrington Richard (Allan), Moss Myrtle (Christine), James Emrys (Edgar), Morris Deirdra (Jenny), Baxter Lynsey (Judith), David Alan (Kurt), Bertenshaw Michael (Lieutenant), Moss Myrtle (Old Woman)
Commentaires : Un spectacle de la RSC.

Version 6

Hamlet (2000-09-Lyttelton Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Lyttelton Theatre
Durée : 4 mois 2 semaines
Nombre : 59 représentations
Première Preview : Inconnu
Première : Tuesday 05 September 2000
Dernière : Tuesday 23 January 2001
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Simon Russell Beale as 'Hamlet' , Cathryn Bradshaw as 'Ophelia', Sara Kestelman as 'Gertrude, Peter McEnery as 'Claudius' and Denis Quilley as 'Polonius', Simon Day, Ken Oxtoby, Chloe Angharad, Paul Brazely, Martin Chamberlain, Edward Gower, Guy Lankester, Sylvester Morand, Janet Spencer-Turner, Christopher Staines, Michael Wildman.
Commentaires : 2 séries
> L}ltelton (5/9/2000 - 23/1/2001) 59 rteprés devant 51.437 spect
> Olivier (11/6 - 5/7/2001) 17 performances rerpés
Presse : TIME OUT says, "It's been a long wait but is was worth it....Simon Russell Beale's portly appearance turns out to make an already very human Hamlet even more so." THE EVENING STANDARD was also impressed saying, "Hamlet will never be quite the same again. Simon Russell Beale caused one of the great Shakespearian sensations of our time last night, when he took on the Prince and won. " THE INDEPENDENT says, "Beale finally embraced his destiny on the Lyttelton stage...and it's a relief to report that his performance is well worth the wait. But goes on to say, "A wonderful Hamlet is constrained by a sentimentalised conception of the play." THE DAILY TELEGRAPH says, "There is an intelligence, humanity, humour and depth of feeling in this performance that I have never seen bettered." However, not all the critics thought Beale was great , THE DAILY EXPRESS says, "Russell Beale is a brilliant ironist, ferociously clever and funny. But for some reason he never lets rip; the pathos is there but not the poetry. In fact there's not really a single thrill in this long-gown production which despite radical cuts frequently looks like the work of the local drama society." THE STAGE headlined, "Deeply human, lacking pathos."

Version 7

Hamlet (2001-06-Olivier Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 3 semaines
Nombre : 17 représentations
Première Preview : Inconnu
Première : Monday 11 June 2001
Dernière : Thursday 05 July 2001
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Simon Russell-Beale, Denis Quilley, Sara Kestelman, Chloe Angharad, Paul Bazely, Catheryn Bradshaw, Martin Chamberlain, Simon Day, Edward Gower, Guy Lankester, Peter McEnery, Syvester Morand, Ken Oxtoby, Janet Spencer-Turner, Christopher Staines, MIchael Wildman.
Commentaires : 2 séries
> L}ltelton (5/9/2000 - 23/1/2001) 59 rteprés devant 51.437 spect
> Olivier (11/6 - 5/7/2001) 17 performances rerpés

Version 8

Humble Boy (2001-08-Cottesloe Theatre-NT-London)

Type de série: Original
Théâtre: National Theatre (Londres - Angleterre)
Salle : Dorfman Theatre
Durée : 3 mois 4 semaines
Nombre : 64 représentations
Première Preview : Inconnu
Première : Thursday 09 August 2001
Dernière : Thursday 06 December 2001
Mise en scène : John Caird
Chorégraphie :
Producteur :

Version 9

Life and Adventures of Nicholas Nickleby (The) (1980-06-Aldwych Theatre-London)

Type de série:
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée : 1 mois
Nombre :
Première Preview : Inconnu
Première : Saturday 21 June 1980
Dernière : Saturday 26 July 1980
Mise en scène : Trevor Nunn • John Caird
Chorégraphie :
Producteur :
Avec : Rashbrook Stephen (Alphonse), Dench Jeffery (Arthur Gride), Rashbrook Stephen (Belling), Kempner Teddy (Benjamin), Tandy Mark (Bolder), Pollitt Clyde (Brooker), Hawkins Andrew (Captain Adams), Crowden Graham (Casino Proprietor), Meredith David Lloyd (Charles Cheeryble), Pollitt Clyde (Coachman), Hawkins Andrew (Coates), Matshikiza John (Cobbey), Tyrrell Norman (Colonel Chowser), Spall Timothy (Croupier), Bertish Suzanne (Fanny Squeers), Jones Griffith (Flunkey), Kightley Timothy (Flunkey), Ravenscroft Christopher (Frank Cheeryble), Kingsley Ben (Furious Gentleman), Gill Alan (George), Gill Alan (Graymarsh), Travers-Deacon Clare (Hannah), Petherbridge Edward (Hawk's Rival), Peasgood Julie (Infant Phenomenon), Godfrey Patrick (Irate Gentleman), Gecks Nicholas (Jackson), Harvey Terence (Jennings), Peck Bob (John Browdie), Littler Susan (Kate Nickleby), Gill Alan (Keeper), Dench Jeffery (Landlord), Gecks Nicholas (Lord Verisopht), Whiteley Thelma (Madame Mantalini), Hammond-Hill Juliet (Madeline Bray), Godfrey Patrick (Man Next Door), Tandy Mark (Master Crummles), Phillips Neil (McTaggart), Bertish Suzanne (Milliner), Bower Sharon (Milliner), East Ian (Milliner), Hammond-Hill Juliet (Milliner), Harrison Cathryn (Milliner), Maxwell William (Milliner), Peasgood Julie (Milliner), Rashbrook Stephen (Milliner), Travers-Deacon Clare (Milliner), Dale Janet (Miss Belvawney), Bower Sharon (Miss Bravassa), Travers-Deacon Clare (Miss Gazingi), Downs Jane (Miss Green), Dale Janet (Miss Knag), Hill Rose (Miss La Creevy), Hammond-Hill Juliet (Miss Ledrock), Harrison Cathryn (Miss Petowker), Bertish Suzanne (Miss Snevellicci), Ravenscroft Christopher (Mobbs), Travers-Deacon Clare (Morleena Kenwigs), Rashbrook Stephen (Mr Bane), Dench Jeffery (Mr Blightey), Harvey Terence (Mr Bonney), East Ian (Mr Crowl), Rees Hubert (Mr Curdle), Dench Jeffery (Mr Cutler), Jones Griffith (Mr Fluggers), Spall Timothy (Mr Folair), Hawkins Andrew (Mr Hetherington), Godfrey Patrick (Mr Kenwigs), Phillips Neil (Mr Lenville), Kightley Timothy (Mr Lillyvick), McEnery John (Mr Mantalini), Maxwell William (Mr Pailey), Kempner Teddy (Mr Pluck), Matshikiza John (Mr Pyke), Maxwell William (Mr Snawley), McEnery John (Mr Snevellicci), Ravenscroft Christopher (Mr Snobb), Kingsley Ben (Mr Squeers), Kingsley Ben (Mr Wagstaff), Horn Roderick (Mr Wititterley), Kaye Lila (Mrs Crummles), Littler Susan (Mrs Curdle), Dale Janet (Mrs Cutler), Hill Rose (Mrs Grudden), King Shirley (Mrs Kenwigs), Bower Sharon (Mrs Kenwigs' Sister), King Shirley (Mrs Lenville), Downs Jane (Mrs Nickleby), Dale Janet (Mrs Snawley), Whiteley Thelma (Mrs Snevellicci), Kaye Lila (Mrs Squeers), Dale Janet (Mrs Wititterley), Hawkins Andrew (Muffinboy), Rees Hubert (Ned Cheeryble), Petherbridge Edward (Newman Noggs), Rees Roger (Nicholas Nickleby), Whiteley Thelma (Nurse), Jones Griffith (Old Lord), Bower Sharon (Opera Singer), Hawkins Andrew (Opera Singer), Woodvine John (Opera Singer), Bertish Suzanne (Peg Sliderskew), Kempner Teddy (Percy Crummles), Kempner Teddy (Peters), Harrison Cathryn (Phib), Bower Sharon (Pitcher), Hawkins Andrew (Policeman), Tandy Mark (Policeman), Horn Roderick (Pugstyles), Woodvine John (Ralph), Bower Sharon (Rich Lady), King Shirley (Rich Lady), East Ian (Roberts), Pollitt Clyde (Scaley), Meredith David Lloyd (Sir Matthew Pupker), Peck Bob (Sir Mulberry Hawk), Threlfall David (Smike), Dale Janet (Snawley Major), Travers-Deacon Clare (Snawley Minor), Hammond-Hill Juliet (Sprouter), Hill Rose (Stout Lady), Kightley Timothy (Surgeon), Jones Griffith (Tim Linkinwater), Kempner Teddy (Tix), Maxwell William (Tomkins), Horn Roderick (Umpire), Crowden Graham (Vincent Crummles), Bower Sharon (Waitress), Hammond-Hill Juliet (Waitress), Tyrrell Norman (Walter Bray), Phillips Neil (Westwood), McEnery John (William), Hammond-Hill Juliet (Young Fiancee), Spall Timothy (Young Wackford), Travers-Deacon Clare (Young Woman)
Commentaires : Un spectacle de la RSC.

Version 10

Life and Adventures of Nicholas Nickleby (The) (1980-11-Aldwych Theatre-London)

Type de série: Reprise
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée : 1 mois 1 semaine
Nombre :
Première Preview : Inconnu
Première : Saturday 22 November 1980
Dernière : Saturday 03 January 1981
Mise en scène : Trevor Nunn • John Caird
Chorégraphie :
Producteur :
Avec : Rashbrook Stephen (Alphonse), Dench Jeffery (Arthur Gride), Rashbrook Stephen (Belling), Kempner Teddy (Benjamin), Tandy Mark (Bolder), Pollitt Clyde (Brooker), Hawkins Andrew (Captain Adams), Crowden Graham (Casino Proprietor), Meredith David Lloyd (Charles Cheeryble), Pollitt Clyde (Coachman), Hawkins Andrew (Coates), Matshikiza John (Cobbey), Tyrrell Norman (Colonel Chowser), Spall Timothy (Croupier), Bertish Suzanne (Fanny Squeers), Jones Griffith (Flunkey), Kightley Timothy (Flunkey), Ravenscroft Christopher (Frank Cheeryble), Kingsley Ben (Furious Gentleman), Gill Alan (George), Gill Alan (Graymarsh), Travers-Deacon Clare (Hannah), Petherbridge Edward (Hawk's Rival), Peasgood Julie (Infant Phenomenon), Godfrey Patrick (Irate Gentleman), Gecks Nicholas (Jackson), Harvey Terence (Jennings), Peck Bob (John Browdie), Littler Susan (Kate Nickleby), Gill Alan (Keeper), Dench Jeffery (Landlord), Gecks Nicholas (Lord Verisopht), Whiteley Thelma (Madame Mantalini), Hammond-Hill Juliet (Madeline Bray), Godfrey Patrick (Man Next Door), Tandy Mark (Master Crummles), Phillips Neil (McTaggart), Bertish Suzanne (Milliner), Bower Sharon (Milliner), East Ian (Milliner), Hammond-Hill Juliet (Milliner), Harrison Cathryn (Milliner), Maxwell William (Milliner), Peasgood Julie (Milliner), Rashbrook Stephen (Milliner), Travers-Deacon Clare (Milliner), Dale Janet (Miss Belvawney), Bower Sharon (Miss Bravassa), Travers-Deacon Clare (Miss Gazingi), Downs Jane (Miss Green), Dale Janet (Miss Knag), Hill Rose (Miss La Creevy), Hammond-Hill Juliet (Miss Ledrock), Harrison Cathryn (Miss Petowker), Bertish Suzanne (Miss Snevellicci), Ravenscroft Christopher (Mobbs), Travers-Deacon Clare (Morleena Kenwigs), Rashbrook Stephen (Mr Bane), Dench Jeffery (Mr Blightey), Harvey Terence (Mr Bonney), East Ian (Mr Crowl), Rees Hubert (Mr Curdle), Dench Jeffery (Mr Cutler), Jones Griffith (Mr Fluggers), Spall Timothy (Mr Folair), Hawkins Andrew (Mr Hetherington), Godfrey Patrick (Mr Kenwigs), Phillips Neil (Mr Lenville), Kightley Timothy (Mr Lillyvick), McEnery John (Mr Mantalini), Maxwell William (Mr Pailey), Kempner Teddy (Mr Pluck), Matshikiza John (Mr Pyke), Maxwell William (Mr Snawley), McEnery John (Mr Snevellicci), Ravenscroft Christopher (Mr Snobb), Kingsley Ben (Mr Squeers), Kingsley Ben (Mr Wagstaff), Horn Roderick (Mr Wititterley), Kaye Lila (Mrs Crummles), Littler Susan (Mrs Curdle), Dale Janet (Mrs Cutler), Hill Rose (Mrs Grudden), King Shirley (Mrs Kenwigs), Bower Sharon (Mrs Kenwigs' Sister), King Shirley (Mrs Lenville), Downs Jane (Mrs Nickleby), Dale Janet (Mrs Snawley), Whiteley Thelma (Mrs Snevellicci), Kaye Lila (Mrs Squeers), Dale Janet (Mrs Wititterley), Hawkins Andrew (Muffinboy), Rees Hubert (Ned Cheeryble), Petherbridge Edward (Newman Noggs), Rees Roger (Nicholas Nickleby), Whiteley Thelma (Nurse), Jones Griffith (Old Lord), Bower Sharon (Opera Singer), Hawkins Andrew (Opera Singer), Woodvine John (Opera Singer), Bertish Suzanne (Peg Sliderskew), Kempner Teddy (Percy Crummles), Kempner Teddy (Peters), Harrison Cathryn (Phib), Bower Sharon (Pitcher), Hawkins Andrew (Policeman), Tandy Mark (Policeman), Horn Roderick (Pugstyles), Woodvine John (Ralph), Bower Sharon (Rich Lady), King Shirley (Rich Lady), East Ian (Roberts), Pollitt Clyde (Scaley), Meredith David Lloyd (Sir Matthew Pupker), Peck Bob (Sir Mulberry Hawk), Threlfall David (Smike), Dale Janet (Snawley Major), Travers-Deacon Clare (Snawley Minor), Hammond-Hill Juliet (Sprouter), Hill Rose (Stout Lady), Kightley Timothy (Surgeon), Jones Griffith (Tim Linkinwater), Kempner Teddy (Tix), Maxwell William (Tomkins), Horn Roderick (Umpire), Crowden Graham (Vincent Crummles), Bower Sharon (Waitress), Hammond-Hill Juliet (Waitress), Tyrrell Norman (Walter Bray), Phillips Neil (Westwood), McEnery John (William), Hammond-Hill Juliet (Young Fiancee), Spall Timothy (Young Wackford), Travers-Deacon Clare (Young Woman)
Commentaires : Un spectacle de la RSC.

Version 11

Life and Adventures of Nicholas Nickleby (The) (1981-04-Aldwych Theatre-London)

Type de série: Reprise
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée : 1 mois 4 semaines
Nombre :
Première Preview : Inconnu
Première : Thursday 23 April 1981
Dernière : Saturday 20 June 1981
Mise en scène : Trevor Nunn • John Caird
Chorégraphie :
Producteur :
Avec : Rashbrook Stephen (Alphonse), Dench Jeffery (Arthur Gride), Rashbrook Stephen (Belling), Kempner Teddy (Benjamin), Tandy Mark (Bolder), Pollitt Clyde (Brooker), Hawkins Andrew (Captain Adams), Crowden Graham (Casino Proprietor), Meredith David Lloyd (Charles Cheeryble), Pollitt Clyde (Coachman), Hawkins Andrew (Coates), Matshikiza John (Cobbey), Tyrrell Norman (Colonel Chowser), Spall Timothy (Croupier), Bertish Suzanne (Fanny Squeers), Jones Griffith (Flunkey), Kightley Timothy (Flunkey), Ravenscroft Christopher (Frank Cheeryble), Kingsley Ben (Furious Gentleman), Gill Alan (George), Gill Alan (Graymarsh), Travers-Deacon Clare (Hannah), Petherbridge Edward (Hawk's Rival), Peasgood Julie (Infant Phenomenon), Godfrey Patrick (Irate Gentleman), Gecks Nicholas (Jackson), Harvey Terence (Jennings), Peck Bob (John Browdie), Littler Susan (Kate Nickleby), Gill Alan (Keeper), Dench Jeffery (Landlord), Gecks Nicholas (Lord Verisopht), Whiteley Thelma (Madame Mantalini), Hammond-Hill Juliet (Madeline Bray), Godfrey Patrick (Man Next Door), Tandy Mark (Master Crummles), Phillips Neil (McTaggart), Bertish Suzanne (Milliner), Bower Sharon (Milliner), East Ian (Milliner), Hammond-Hill Juliet (Milliner), Harrison Cathryn (Milliner), Maxwell William (Milliner), Peasgood Julie (Milliner), Rashbrook Stephen (Milliner), Travers-Deacon Clare (Milliner), Dale Janet (Miss Belvawney), Bower Sharon (Miss Bravassa), Travers-Deacon Clare (Miss Gazingi), Downs Jane (Miss Green), Dale Janet (Miss Knag), Hill Rose (Miss La Creevy), Hammond-Hill Juliet (Miss Ledrock), Harrison Cathryn (Miss Petowker), Bertish Suzanne (Miss Snevellicci), Ravenscroft Christopher (Mobbs), Travers-Deacon Clare (Morleena Kenwigs), Rashbrook Stephen (Mr Bane), Dench Jeffery (Mr Blightey), Harvey Terence (Mr Bonney), East Ian (Mr Crowl), Rees Hubert (Mr Curdle), Dench Jeffery (Mr Cutler), Jones Griffith (Mr Fluggers), Spall Timothy (Mr Folair), Hawkins Andrew (Mr Hetherington), Godfrey Patrick (Mr Kenwigs), Phillips Neil (Mr Lenville), Kightley Timothy (Mr Lillyvick), McEnery John (Mr Mantalini), Maxwell William (Mr Pailey), Kempner Teddy (Mr Pluck), Matshikiza John (Mr Pyke), Maxwell William (Mr Snawley), McEnery John (Mr Snevellicci), Ravenscroft Christopher (Mr Snobb), Kingsley Ben (Mr Squeers), Kingsley Ben (Mr Wagstaff), Horn Roderick (Mr Wititterley), Kaye Lila (Mrs Crummles), Littler Susan (Mrs Curdle), Dale Janet (Mrs Cutler), Hill Rose (Mrs Grudden), King Shirley (Mrs Kenwigs), Bower Sharon (Mrs Kenwigs' Sister), King Shirley (Mrs Lenville), Downs Jane (Mrs Nickleby), Dale Janet (Mrs Snawley), Whiteley Thelma (Mrs Snevellicci), Kaye Lila (Mrs Squeers), Dale Janet (Mrs Wititterley), Hawkins Andrew (Muffinboy), Rees Hubert (Ned Cheeryble), Petherbridge Edward (Newman Noggs), Rees Roger (Nicholas Nickleby), Whiteley Thelma (Nurse), Jones Griffith (Old Lord), Bower Sharon (Opera Singer), Hawkins Andrew (Opera Singer), Woodvine John (Opera Singer), Bertish Suzanne (Peg Sliderskew), Kempner Teddy (Percy Crummles), Kempner Teddy (Peters), Harrison Cathryn (Phib), Bower Sharon (Pitcher), Hawkins Andrew (Policeman), Tandy Mark (Policeman), Horn Roderick (Pugstyles), Woodvine John (Ralph), Bower Sharon (Rich Lady), King Shirley (Rich Lady), East Ian (Roberts), Pollitt Clyde (Scaley), Meredith David Lloyd (Sir Matthew Pupker), Peck Bob (Sir Mulberry Hawk), Threlfall David (Smike), Dale Janet (Snawley Major), Travers-Deacon Clare (Snawley Minor), Hammond-Hill Juliet (Sprouter), Hill Rose (Stout Lady), Kightley Timothy (Surgeon), Jones Griffith (Tim Linkinwater), Kempner Teddy (Tix), Maxwell William (Tomkins), Horn Roderick (Umpire), Crowden Graham (Vincent Crummles), Bower Sharon (Waitress), Hammond-Hill Juliet (Waitress), Tyrrell Norman (Walter Bray), Phillips Neil (Westwood), McEnery John (William), Hammond-Hill Juliet (Young Fiancee), Spall Timothy (Young Wackford), Travers-Deacon Clare (Young Woman)
Commentaires : Un spectacle de la RSC.

Version 12

McQueen (2015-08-Haymarket theatre-London)

Type de série: Original
Théâtre: Haymarket Theatre (Londres - Angleterre)

Durée : 1 mois 3 semaines
Nombre :
Première Preview : Saturday 22 August 2015
Première : Thursday 27 August 2015
Dernière : Saturday 17 October 2015
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Stephen Wight (Lee Alexander McQueen), Carly Bawden (Dahlia), Tracy-Ann Oberman (Isabella Blow), Laura Rees (Arabella), Michael Bertenshaw (Mr Hitchcock)
Commentaires : Au départ, en preview depuis le 13 août 2015, la première preview a été reportée au 22 août 2015. Le spectacle a eu une fermeture anticipée le 17 octobre au lieu du 7 novembre 2015.

Version 13

Merry Wives of Windsor (The) (1980-05-Aldwych Theatre-London)

Type de série:
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première : Thursday 08 May 1980
Dernière : Inconnu
Mise en scène : Trevor Nunn • John Caird
Chorégraphie :
Producteur :
Avec : Threlfall David (Abraham Slender), Tracy Susan (Alice Ford), Harrison Cathryn (Anne Page), Tyrrell Norman (Bardolph), Hutchings Geoffrey (Dr Caius), Gecks Nicholas (Fenton), Kingsley Ben (Frank Ford), Peck Bob (George Page), Kightley Timothy (Host of the Garter), Meredith David Lloyd (Hugh Evans), Tandy Mark (John), Downs Jane (Margaret Page), Kaye Lila (Mistress Quickly), Kempner Teddy (Nym), Spall Timothy (Peter Simple), McEnery John (Pistol), Harvey Terence (Robert), Godfrey Patrick (Robert Shallow), Fletcher Dexter (Robin), East Ian (Rugby), Gill Alan (Servant), Rashbrook Stephen (Servant), King Shirley (Serving woman), Townley Hilary (Serving woman), Woodvine John (Sir John Falstaff), Holender Daniel (William Page (alt)), Murray Dicon (William Page (alt))
Commentaires : Un spectacle de la RSC.

Version 14

Misérables (Les) (1985-10-Barbican-London)

Type de série: Original
Théâtre: Barbican (Londres - Angleterre)
Salle : Theatre
Durée : 1 mois 2 semaines
Nombre : 63 représentations
Première Preview : Inconnu
Première : Tuesday 08 October 1985
Dernière : Saturday 23 November 1985
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Avec : Colm Wilkinson (Jean Valjean), Roger Allam (Javert), Patti LuPone (Fantine), Michael Ball (Marius), Francis Ruffelle (Eponine), Alun Armstrong (Thenardier), Susan-Jane Tanner (Mme. Thenardier), Clive Carter, Ian Calvin, Dave Willets, Jackie Marks, Peter Polycarpou, Keith Burns

Version 15

Misérables (Les) (1985-11-London Run)

Type de série: Original
Théâtre: London Run (Londres - Angleterre)
Durée : 33 ans 7 mois 4 semaines
Nombre :
Première Preview : Tuesday 08 October 1985
Première : Saturday 23 November 1985
Dernière : Saturday 13 July 2019
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Commentaires : After 19 years at the Palace Theatre the production was moved to the smaller Queen’s Theatre (the Palace needed considerable renovation to meet safety standards). In order to fit into the new space the scenery was reduced in size and the physical production needed shrinking. The most controversial aspect of the move was the size of the orchestra. The Palace pit accommodated 21 musicians, but the Queen’s could only hold 11. The rest of the sound was provided by a computer. The Musicians Union threatened a strike, but capitulated when Cameron Mackintosh claimed the only alternative was to close the show. The critics generally agreed that the “reduced” version had suffered no loss of richness or texture, and the new orchestral sound was perfectly satisfactory thanks to the new-fangled “Sinfonia” computer. Having now been seen by more than 50 million people in 38 countries and 21 languages, “Les Mis” had now become the most successful musical of all time.
Commentaires longs: Cette version a été créé au Barbican théâtre le 8 octobre 1985, avant dêtre transféré au Palace Theatre le 4 décembre où il a été joué jusqu'au 27 mars 2004… Le spectacle a alors encore changé de maison pour émigrer 500 mètres plus lon au Queen's theatre où il a ouvert le 3 avril 2004, lieu où il se joue toujours, devenant le musical le plus joué de l'histoire!

Version 16

Misérables (Les) (1985-12-Palace-London)

Type de série: Original
Théâtre: Palace Theatre (Londres - Angleterre)
Durée : 18 ans 3 mois 4 semaines
Nombre :
Première Preview : Inconnu
Première : Wednesday 04 December 1985
Dernière : Saturday 27 March 2004
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Commentaires longs: Cette version a été créé au Barbican théâtre le 8 octobre 1985, avant dêtre transféré au Palace Theatre le 4 décembre où il a été joué jusqu'au 27 mars 2004… Le spectacle a alors encore changé de maison pour émigrer 500 mètres plus lon au Queen's theatre où il a ouvert le 3 avril 2004, lieu où il se joue toujours, devenant le musical le plus joué de l'histoire!

Version 17

Misérables (Les) (1987-03-Broadway Original)

Type de série: Revival
Théâtre: Broadway Run (Broadway - Etats-Unis)
Durée : 16 ans 2 mois 1 semaine
Nombre : 11 previews - 6680 représentations
Première Preview : Saturday 28 February 1987
Première : Thursday 12 March 1987
Dernière : Sunday 18 May 2003
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :

Version 18

Misérables (Les) (1988-09-Raimund Theater-Vienne)

Type de série: Revival
Théâtre: Raimund Theater (Vienne - Autriche)
Durée : 1 an 6 mois 2 semaines
Nombre :
Première Preview : Thursday 15 September 1988
Première : Thursday 15 September 1988
Dernière : Saturday 31 March 1990
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Avec : Reinhard Brussmann (Jean Valjean), Norbert Lamla (Javert), Sona MacDonald (Fantine), Martina Dorak (Cosette), Jane Comerford (Eponine), Susanne Altschul (Madame Thénardier), Franz Csencsits (Monsieur Thénardier), Alexander Diepold (Enjolras), Felix Martin (Marius), Paul Welterlen (Grantaire/Bamatabois), Peter Thunhart (Combeferre), Thomas Sigwald (Feuilly), Dean Welterlen (Montparnasse), Henri Menendez (Courfeyrac), Stefan Huber (Jean Prouvaire/Zuhälter), Marcello de Nardo (Babet), Doug Jones (Joly), Jesse Webb (Claquesous/Zuhälter), John Wiseman (Brujon/Vorarbeiter), Peter Zeug (Bischof/Lesgles), Marika Lichter (Alte Bettlerin/1. Hure), Annika Bruhns (Hure/Fabrikarbeiterin), Ester Stein (Hure/Fabrikarbeiterin), Morenike Fadayomi (Straßenjunge 1), Andrea Weiss (Straßenjunge 2), Michaela Fussi (1. Fabrikarbeiterin), Ruth Hale (Alte Frau/Fabrikarbeiterin), Patricia Simpson (Junge Prostituierte), Aris Sas (Gavroche), Leni Tanzer (Kleine Cosette), Jasmin Madwar (Kleine Eponine)

Version 19

Misérables (Les) (1991-02-Carré Theater-Amsterdam)

Type de série: Revival
Théâtre: Carré (Koninlijk Theater) (Amsterdam - Pays-Bas)
Durée : 7 mois 3 semaines
Nombre :
Première Preview : Thursday 28 February 1991
Première : Thursday 28 February 1991
Dernière : Sunday 20 October 1991
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Commentaires longs: Il s'agit du musical fondateur de ce que va devenir l'industrie musicale hollandaise. Il s'agit tout d'abord de l'une des premières mégaproductions signée Joop van den Ende. Mais aussi bon nombre de jeune chanteurt vont ici faire leur premiers pas dans le monde des musicals, avant de devenir des stars du genre: Pia Douwes (Fantine), Vera Mann (Eponine), Danny de Munk (Marius), Stanley Burleson (Montparnasse), Uwe Kröger (Feuilly).

Version 20

Misérables (Les) (1991-10-Théâtre Mogador-Paris)

Type de série: Revival
Théâtre: Théâtre Mogador (Paris - France)
Durée : 7 mois
Nombre :
Première Preview : Wednesday 23 October 1991
Première : Wednesday 23 October 1991
Dernière : Sunday 24 May 1992
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Avec : Robert Marien (Valjean), Patrick Rocca (Javert), Laurent Gendron (Thenardier), Julien Combey (Enjolras), Jérôme Pradon (Marius), Stephanie Martin (Eponine), Marie France Roussel (Mme Thenardier), Louise Pitre (Fantine), Marie Zamora (Cosette), Renaud Marx (Grantaire)

Version 21

Misérables (Les) (1991-12-Fortis Circustheater-Scheveningen)

Type de série: Revival
Théâtre: Afas Circustheater (Scheveningen - Pays-Bas)
Durée : 3 mois
Nombre :
Première Preview : Friday 06 December 1991
Première : Friday 06 December 1991
Dernière : Sunday 08 March 1992
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Avec : Jean Valjean: Henk Poort, Ronald Beerepoot, Robert Valter / Javert: Ernst Daniël Smid, Peter De Smet, Bas Groenenberg / Enjolras: Bill van Dijk, Uwe Kröger, Rik Luycx, Alberto ter Doest / Marius: Danny de Munk, Dennis Kivit, Rolf Koster, Edwin de Jongh / Fantine: Pia Douwes, Betty Vermeulen, Lizzy Haslinghuis / Cosette: Joke de Kruijf, Margot Giselle, Marika Lansen / Eponine: Vera Mann, Marika Lansen, Marjolein Spijkers / Monsieur Thénardier: Paul de Leeuw, Door van Boeckel, Bert Luttjeboer, Arthur Schlemper, Filip Bolluyt / Madame Thénardier: Simone Kleinsma, Irene Kuiper, Doris Baaten
Commentaires : Prolongation des représentations jouées depuis le 28/2/1991 au Carré Theater d'Amsterdam

Version 22

Misérables (Les) (1996-01-Musichall Theater-Duisburg)

Type de série: Revival
Théâtre: Theater am Marientor (Duisburg - Allemagne)
Durée : 3 ans 10 mois 1 semaine
Nombre :
Première Preview : Inconnu
Première : Friday 26 January 1996
Dernière : Sunday 28 November 1999
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :

Version 23

Misérables (Les) (1998-05-Stadsschouwburg-Antwerpen)

Type de série: Revival
Théâtre: Stadsschouwburg (Anvers - Belgique)
Durée : 11 mois
Nombre :
Première Preview : Sunday 24 May 1998
Première : Sunday 24 May 1998
Dernière : Sunday 25 April 1999
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :

Version 24

Misérables (Les) (2003-09-Theater des Westens-Berlin)

Type de série: Revival
Théâtre: Theater des Westens (Berlin - Allemagne)
Durée : 1 an 3 mois 1 semaine
Nombre :
Première Preview : Friday 26 September 2003
Première : Friday 26 September 2003
Dernière : Friday 31 December 2004
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Avec : Olegg Vynnyk (Jean Valjean), Uwe Kröger (Javert), Ann Christin Elverum (Fantine), Vera Bolten (Eponine / Cover Fantine), Lucius Wolter (Marius), Martin Pasching (Enjolras), Ulrich Wiggers (Monsieur Thénardier), Heike Wiltrud Schmitz (Madame Thénardier), Valerie Link (Cosette), Eva Maria Bender (Cover Fabrikarbeiterin / Swing), Kasper Holmboe (Bischof von Digne / Cover Jean Valjean / Cover Javert / Ensemble), Marcus Hezel (Feuilly / Cover Enjolras / Ensemble), Nico Gaik (Joly / Ensemble), Seth Lerner (Bamatabois / Coureferac / Cover Jean Valjean / Ensemble), Karim Khawatmi (Grantaire / Fabrikarbeiter / Cover Javert / Cover Bischof von Digne / Ensemble), Chris Murray (Claquesous / Cover Jean Valjean / Cover Javert / Ensemble), Oliver Mülich (Babet / Cover Monsieur Thénardier / Cover Bamatabois / Cover Bischof von Digne / Ensemble), Tim Reichwein (Combeferre / Cover Marius / Cover Bischof von Digne / Cover Fabrikarbeiter / Ensemble), Christian Schleicher (Brujon / Fabrikarbeiter / Swing), Carl van Wegberg (Montparnasse / Cover Marius / Cover Bamatabois / Ensemble), Christiane Heinke (Fabrikarbeiterin / Cover Fantine / Ensemble), Tilmann von Blomberg (Pouvraire / Cover Monsieur Thénardier / Cover Fabrikarbeiter / Cover Grantaire / Ensemble), Mark Derichs (Cover Enjolras / Cover Grantaire / Swing), Henriette Grawwert (Cover Eponine / Cover Fabrikarbeiterin / Ensemble), Patricia Gressley (Cover Madame Thénardier / Ensemble), Monica Gugganig (Cover Fantine / Ensemble), Jessica Kessler (Cover Eponine / Ensemble), Christian Alexander Müller (Cover Enjolras / Swing), Claudie Reinhard (Cover Madame Thénardier / Swing), Veit Schäfermeier (Cover Monsieur Thénardier / Swing), Liv Eirin Pedersen (Cover Eponine / Ensemble), Tillmann Schnieders (Cover Marius / Swing), Heidelinde Schuster (Cover Cosette / Swing), Jana Stelley (Cover Eponine / Ensemble), Ina Trabesinger (Cover Cosette / Ensemble), Wiebke Wiedeck (Cover Madame Thénardier / Ensemble), Wiebke Wötzel (Cover Cosette / Ensemble), Thomas Hurter (Ensemble), Philipp Hägeli (Swing), Timo Röder (Swing)

Version 25

Misérables (Les) (2004-04-Queen's-London)

Type de série: Original
Théâtre: Sondheim Theatre (Londres - Angleterre)
Durée : 15 ans 3 mois
Nombre : 10000 représentations
Première Preview : Sunday 04 April 2004
Première : Monday 12 April 2004
Dernière : Saturday 13 July 2019
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :
Avec : Daniel Koek (Jean Valjean), Tam Mutu (Javert), Samantha Dorsey (Cosette), Cameron Blakely (Thenardier), Na-Young Jeon (Fantine) , Rob Houchen (Marius) Anton Zetterholm (Enjolras), Carrie Hope Fletcher (Eponine), Wendy Ferguson (Madame Thenardier).
Commentaires : After 19 years at the Palace Theatre the production was moved to the smaller Queen’s Theatre (the Palace needed considerable renovation to meet safety standards). In order to fit into the new space the scenery was reduced in size and the physical production needed shrinking. The most controversial aspect of the move was the size of the orchestra. The Palace pit accommodated 21 musicians, but the Queen’s could only hold 11. The rest of the sound was provided by a computer. The Musicians Union threatened a strike, but capitulated when Cameron Mackintosh claimed the only alternative was to close the show. The critics generally agreed that the “reduced” version had suffered no loss of richness or texture, and the new orchestral sound was perfectly satisfactory thanks to the new-fangled “Sinfonia” computer. Having now been seen by more than 50 million people in 38 countries and 21 languages, “Les Mis” had now become the most successful musical of all time.
Commentaires longs: Cette version a été créé au Barbican théâtre le 8 octobre 1985, avant dêtre transféré au Palace Theatre le 4 décembre où il a été joué jusqu'au 27 mars 2004… Le spectacle a alors encore changé de maison pour émigrer 500 mètres plus lon au Queen's theatre où il a ouvert le avril 2004, lieu où il se joue toujours, devenant le musical le plus joué de l'histoire!

Version 26

Misérables (Les) (2006-10-Broadhurst Theatre-Broadway)

Type de série: Revival
Théâtre: Broadhurst Theatre (Broadway - Etats-Unis)
Durée : 1 an 1 mois 4 semaines
Nombre : 17 previews - 463 représentations
Première Preview : Tuesday 24 October 2006
Première : Thursday 09 November 2006
Dernière : Sunday 06 January 2008
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :

Version 27

Misérables (Les) (2006-10-Freilichtspiele Tecklenburg-Tecklenburg)

Type de série: Revival
Théâtre: Freilichtspiele Tecklenburg (Tecklenburg - Allemagne)
Durée : 2 mois
Nombre :
Première Preview : Saturday 24 June 2006
Première : Saturday 24 June 2006
Dernière : Saturday 26 August 2006
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :

Version 28

Misérables (Les) (2008-04-Nieuw Luxor Teater-Rotterdam)

Type de série: Revival
Théâtre: Nieuw Luxor Theater (Rotterdam - Pays-Bas)
Durée : 8 mois 2 semaines
Nombre :
Première Preview : Tuesday 01 April 2008
Première : Sunday 20 April 2008
Dernière : Sunday 04 January 2009
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :

Version 29

Misérables (Les) (2009-01-Carré Theater-Amsterdam)

Type de série: Revival
Théâtre: Carré (Koninlijk Theater) (Amsterdam - Pays-Bas)
Durée : 1 mois
Nombre :
Première Preview : Saturday 17 January 2009
Première : Saturday 17 January 2009
Dernière : Sunday 22 February 2009
Mise en scène : Trevor Nunn • John Caird
Chorégraphie : Kate Flatt
Producteur :

Version 30

Money (1999-09-Olivier Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 5 mois 1 semaine
Nombre : 85 représentations
Première Preview : Friday 28 May 1999
Première : Thursday 03 June 1999
Dernière : Saturday 13 November 1999
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Patricia Hodge (Lady Franklin) , Roger Allam, David Arneil, Jasper Britton, Michael Bryant, Robert Burt, Martin Xhamberlain, Jim Creighton, Ruddy L Davis, Simon Day, Victoria Hamilton, Jack James, Samantha lavender, Liam McKenna, Charles Millham, Sophie Okenedo, Denis Quilley, Elizabeth Renihan, Clive Rowe, Simon Russell Beale, Aislinn Sands, Myra Sands, David Weston
Presse : DOMINIC CAVENDISH of TIME OUT says, "Some of the sentiments behind 'Money' may have depreciated in value over the years, but this production valiantly proves its enduring comic richness." PETER HEPPLE of THE STAGE says, "The satire may be fairly obvious but it is elegantly carried out. However, its chief joy is the excellence of the acting, with Simon Russell Beale giving another fine performance as Alfred." BENEDICT NIGHTINGALE of THE TIMES says, "Fine cast outshines an old tale." NICHOLAS DE JONGH of THE EVENING STANDARD describes the play as "Endearing fun".

Version 31

Peter Pan (1997-12-Olivier Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 3 mois 3 semaines
Nombre : 95 représentations
Première Preview : Monday 08 December 1997
Première : Tuesday 16 December 1997
Dernière : Saturday 11 April 1998
Mise en scène : John Caird • Fiona Laird
Chorégraphie :
Producteur :
Commentaires : 2 séries:
> Olivier (16/12/1997 - 11/4/1998) 95 représ devant 99.780 spect
> Olivier (17/12/1998 - 20/2/1999) 80 représ devant 63.777 spect

soit 175 représ devant 163.557 spect

Version 32

Peter Pan (1998-12-Olivier Theatre-NT-London)

Type de série: Return Engagement
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 2 mois
Nombre : 80 représentations
Première Preview : Inconnu
Première : Thursday 17 December 1998
Dernière : Saturday 20 February 1999
Mise en scène : John Caird • Fiona Laird
Chorégraphie :
Producteur :
Commentaires : 2 séries:
> Olivier (16/12/1997 - 11/4/1998) 95 représ devant 99.780 spect
> Olivier (17/12/1998 - 20/2/1999) 80 représ devant 63.777 spect

soit 175 représ devant 163.557 spect

Version 33

Seagull (The) (1994-07-Lyttelton Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Lyttelton Theatre
Durée : 4 mois 4 semaines
Nombre : 81 représentations
Première Preview : Inconnu
Première : Thursday 07 July 1994
Dernière : Saturday 03 December 1994
Mise en scène : John Caird
Chorégraphie :
Producteur :

Version 34

Song and Dance (1982-03-Palace Theatre-London)

Type de série: Original
Théâtre: Palace Theatre (Londres - Angleterre)
Durée : 1 an 11 mois 4 semaines
Nombre : 781 représentations
Première Preview : Friday 26 March 1982
Première : Wednesday 07 April 1982
Dernière : Saturday 31 March 1984
Mise en scène : John Caird
Chorégraphie : Anthony Van Laast
Producteur :
Avec : Marti Webb & Wayne Sleep
with Linda-Mae Brewer, Jane Darling, Andrea Durant, Linda Gibbs, Claude-Paul Henry, Andy Norman, Sandy Strallen, Paul Tomkinson
Commentaires : This was a show in two parts. The “song” half was a song-cycle called “Tell Me on a Sunday” - a simple tale of a young English woman in New York and the trials and tribulations she experiences through a series of unhappy love affairs. This was performed by Marti Webb. The second half was called “Variations”, a suite of variations on a theme by Paganini, and was interpreted in dance by Wayne Sleep and a team of eight dancers. (During the long run the Marti Webb role was taken over by Gemma Craven, Lulu and Liz Robertson. Wayne Sleep’s role was later danced by Stephen Jeffries, Graham Fletcher, John Meehan and Paul Tomkinson)

Version 35

Song and Dance (1990-04-Shaftesbury Theatre-London)

Type de série: Revival
Théâtre: Shaftesbury Theatre (Londres - Angleterre)

Durée : 2 mois
Nombre : 45 représentations
Première Preview : Wednesday 25 April 1990
Première : Wednesday 25 April 1990
Dernière : Saturday 30 June 1990
Mise en scène : John Caird
Chorégraphie : Anthony Van Laast
Producteur :
Avec : Marti Webb & Wayne Sleep

Version 36

Stanley (1996-02-Cottesloe Theatre-NT-London)

Type de série: Original
Théâtre: National Theatre (Londres - Angleterre)
Salle : Dorfman Theatre
Durée : 6 mois 2 semaines
Nombre : 98 représentations
Première Preview : Wednesday 24 January 1996
Première : Thursday 01 February 1996
Dernière : Saturday 17 August 1996
Mise en scène : John Caird
Chorégraphie :
Producteur :
Avec : Antony Sher, Selina Cadell, Deborah Findlay, Selina Cadel ,Anna Chancellor David Collings, Avril Elgar , Richard Howard, Stephanie Jacob, Nicola King, Pip Torrens

Version 37

Trelawny of the Wells (1993-02-Olivier Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 6 mois
Nombre : 57 représentations
Première Preview : Inconnu
Première : Thursday 18 February 1993
Dernière : Saturday 21 August 1993
Mise en scène : John Caird
Chorégraphie :
Producteur :
Commentaires : (Education Department)